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AI Music Firms Suno and Udio Push Back Against Major Record Labels' Copyright Lawsuits

In a bold legal move, AI music companies Suno and Udio have fired back against sweeping lawsuits from major record labels, asserting their right to use copyrighted songs for training their AI models. The two firms argue that the music industry's legal actions are a strategic attempt to stifle competition and monopolize intellectual property.


The lawsuits, filed by industry giants Universal Music Group, Warner Music Group, and Sony Music Entertainment in June, accuse Suno and Udio of copyright infringement on an unprecedented scale. The record labels claim the AI firms have utilized vast quantities of copyrighted music to develop their models, infringing on the rights of copyright holders in a race to dominate the AI music generation market.



In response, Suno and Udio admitted to using proprietary music files accessible on the open Internet to train their AI but maintained that such use falls under the fair use doctrine of copyright law. This legal principle allows for the reuse of existing materials to create new works, a defense the companies are staunchly defending.


"Udio has leveraged existing sound recordings as data to analyze and identify patterns in various musical styles, enabling new creations," Udio stated in its legal filing. "This practice epitomizes 'fair use.' The plaintiffs' interpretation contradicts both the letter and the spirit of the law."


The filings, prepared by the prestigious law firm Latham & Watkins, go beyond typical lawsuit responses, offering a comprehensive narrative that frames the legal battle as a potential landmark case with implications that could reshape the music industry for years to come. The AI firms contend that the record labels, which dominate the music market, are weaponizing copyright law to maintain their grip on the industry.


"Suno sees musicians, educators, and ordinary people using innovative tools to create original music," Suno's filing argues. "The major labels, however, view this as a threat to their market share and are using legal tactics to stifle competition."


Suno and Udio are significant players in the burgeoning field of AI-generated music. Udio has already made waves with an AI-generated track, "BBL Drizzy," which gained popularity through a remix by renowned producer Metro Boomin and was later sampled by Drake. As of May, Suno had secured $125 million in funding, with ambitions to develop what has been dubbed the "ChatGPT for music."


The legal conflict mirrors other high-stakes lawsuits across creative industries, where book authors, visual artists, and newspaper publishers have challenged the use of their proprietary works to train AI models. These cases collectively pose a trillion-dollar question: Is using vast amounts of proprietary content to develop AI models a form of copyright infringement, or is it protected under fair use as a transformative practice?


Suno and Udio assert that their AI technology functions akin to a human musician who learns from existing music to create new works. They argue that genres and styles, such as opera, jazz, or rap, are not owned by any entity and that their technology does not infringe on copyright but rather builds on the foundational elements of these genres to create new, unique music.


"The lawsuit from the labels is an attempt to misuse intellectual property laws to monopolize entire genres of music," Suno stated. "This litigation is an effort to shield incumbents from competition and restrict the creative potential of new artists."


Both companies indicated that their fair use defense would focus on the distinction between the inputs (the copyrighted songs used for training) and the outputs (the new songs created by the AI). They argue that while the record labels allege illegal copying of inputs, they do not claim that the outputs are mere replicas of the originals. This, the AI firms believe, will be a critical point in their defense.


"It is fair use under copyright law to make a copy of a protected work as part of a back-end technological process, invisible to the public, in the service of creating an ultimately non-infringing new product," Suno emphasized in its filing.


As the legal battle unfolds, it promises to be a defining case for the future of AI in the music industry. The outcome could significantly influence how copyright law is interpreted and applied in the digital age, potentially altering the landscape for AI-driven creative processes.


Representatives for the major labels did not immediately respond to requests for comment, leaving the industry to watch closely as this high-stakes legal drama continues to evolve.

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